What is “sixth sense”, is that it was old-fashioned storytelling with great performances, rather than a big blockbuster high tech special effects sequences public, free of drama or leave feeling. It also of human perception, it is something else beyond our world, we cannot see or access the valves, but both of believe us. In many respects, is the idea of ghosts in the film almost on the point; it is actually a film about relationships and human perception. It is also a film that offers a remarkable performance by Prodigy Haley Joel Osment, absolutely screen actor even on film orders the biggest star of Bruce Willis, the almost a seat back to gloss this child to take.

End torsional became something legendary, but it works well, because it is forced and nothing about the movie really twist offers, which makes it pleasant but if you look at it (and in fact that see you the movie to see once more, considered the end changes the meaning of everything). In General, it’s a great film reminds us that you do not need to do a very good movie high tech wizardry or effects and whiz bang action sequences.

The movie begins by introducing us to the famous m. Malcolm Crowe (Willis), lives with his wife in his sentence, he was given in recognition of his work with children. However, at night, your home is broken at previous patients of a Crowe; a patient might not help. Face it, this former Crowe patients with a weapon to fire, but not fatally shoots (or so it seems). Flashforward so far where Crowe leads to eight years of Cole (Osment), which is as patient ex is disturbed by some very frightening visions of the spirit world. Crowe is skeptical, but decides to help him to Cole anyway. Go two on your trip, Crowe, has just discovered that Cole is perhaps to tell the truth, and this without artifice is imagination. And, together, help each other problems with Crowe, who come to solve search wonder what really happened to him.

“The sixth sense” takes to indicate both of its history, or at least it seems. How is progress update today and age, explained would a minutes 103 film rule in a moment, but this breeze cinema in a slow, which is actually very nice. The result is that you are wrapped in the world of characters slowly and this leads to the greatest strength of the film, its achievements. Bruce Willis performs one of his best performance in this film, and this is largely because of the simple way, it plays Dr. Crowe. It is very quiet and soft, is a significantly different for someone, big show, to make his name to action movies strong. Performance that everyone was talking about but was when the movie came out Haley Joel Osment as Cole. It really is a genius, the form from the beginning to the end of commands. Really he sells fear, he saw that in every day and its power by its performance, film and how it works.

Another great movie sales point is the end of torsion. Usually these can types constructed very fine, but in this case it is particularly well treated, and nothing until that suggests that Crowe character actually stage, was killed in the opening, in particular for nearly every film convention and technology is to pretend that this will not happen. If you see the extension, it is quite surprising and makes it where you want the movie is actually a second time to see how it works, see the Crowe really a ghost in the course of the film. Some people could guess the ending has too much earlier in the scene arrives where Cole Crowe, says he sees “Dead”, that I still do believe that it takes this experience.

This film is fabulous. Director M. Night Shyamalan does nothing envy with images, rather frames each of his paintings as if each image is to tell a story in itself. His use of colour is particularly remarkable, particularly red which is used to describe something that has been affected by the spirit world. The film is also slower than the rhythm, but it gives the film a slow building tension and get time need of characters and story reader obtain intelligence encapsulated. You must change the pace quick and bombarded with images detailed in this film, and is a welcome change. Sometimes good story and good morals are what we really want a movie.

“The sixth sense” is an excellent movie, old story combines technical and unannounced spectacular performances of its occupation.

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A new movie starring Angelina Jolie will release soon. Angelina Jolie was starring in a great movie Tomb Raider, act as Lara Croft. As a tough woman in the face of enemies, have the expertise to fight and proficient use of various weapons.

Angelina Jolie proves that action movies do not always use male as the protagonist. This is evidenced in her last movie titled Salt. Through the Salt movie, Angelina Jolie trying to maintain her predicate as a success woman with action movies.

Salt the movie directed by Philip Noyce. Angelina Jolie is role as Evelyn Salt, a CIA agent who defected and became a Russian spy agent. The incident started when a spy agent Vassily Orlov said that Salt is Russian agent that will kill the President of Russia and lie detector prove that what is said by Orlov is true. All CIA agents shock. Salt panicked and decided to flee.

Amazing action has been started here. Salt escape from police pursuit, leapt from the truck into another truck, also use motorcycle to escape. Next action shown when Salt planning to murder the President of Russian. Using sophisticated weapons and martial arts skills will make you fill amaze.

But in the end, you will think and wonder, who actually Salt ? What exactly mission that would like to accomplish ?

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Everybody must have a favorite activity or hobby. There are people who love to play ball, someone who likes to play basketball, and others. Hobbies are an important activity for us. Hobbies will help us forget our problems for a while. This is really important because we will still be able to enjoy our lives better. We certainly do not want our lives to feel not good because we’re too busy thinking about the problems we face.

One hobby that is carried by many people is watching movies. Watching movies is indeed a very pleasant thing. Moreover, if we liked the movies a comedy genre, we will surely feel happy because we can laugh. If we are people who are romantic, we’d be happy to watch movies of genre romance.

And now, watch movies activity also becomes easier again. If you include people who feel reluctant to spend money when you want to watch some movies, now, there’s good news for you. On the internet, you can watch free movies online. There are many movies you can watch. If you like action movies, perhaps you can see the Green Zone, Robin Hood, and others. If you like drama movies, maybe you can watch 3 Idiots. Just enjoy and watch it!

There are so many ways to make our house to be cozier; we can redecorate our house with adding some things   new that have cozy impression. The most important part to make a cozy places in certain spot in our house, we have to really know about the place that have significance role for our house, because the place also can make the regulation of decoration become easier. Most of people, using floor for their redecoration project as what have to be explored to get a cozy impression. There are so many choices to get a cozy floor that can make a cozy look.

Maple wood flooring can add beauty to a home that almost no other type of flooring can, but maple laminate floor is a more favored option because it can be done easily and affordably. In the past few years it has become so popular that many people are choosing maple laminate over the real wood equivalent. A popular choice of laminate for those looking for something slightly different is cherry laminate flooring. Cherry has rich earth tones and can bring a warmth and richness to any home. Many consumers wrongly believe that cherry timber always has to be really red or very dark, however when you actually look at a cherry laminate floor you’ll see that you can enjoy the warm cherry tones without actually going too red or dark for your tastes.

Flying an aircraft needs a good cooperation from the people who involved in the business; pilot, co-pilot, airman, the airport staff collaborate each other in Takeoff and landing the planes. To do that communication is the most important thing because miss communication will lead them to accident or death. On the sky, the only possible aviation and communication device with the airport staff is telex. Telex as an international system of telegraphy with printed messages transmitted and received by teleprintersis the best tool to be used in the aircraft, unlike any other communication device such as hand phone, this aviation device will not disturb other electronic device which use to fly.

The signs and the messages will be received by Telex airman 750 using Telex aviation headset. By using this device, the airman can communicate and get information about weather, the air traffic, the possibility of landing or takeoff and even dangerous situation like terrorism, piracy, and system or physical damage happened in the aircraft. When those things happened, the airman can use Telex aviation headset to call nearest airport and the airport will give the safest solution for the aircraft. Therefore, communication device is really important for the air transportation.

Nominated for six Academy Awards including Best Picture, Beauty And The Beast is one of Disney’s greatest animated achievements. Its massive success reinvigorated the Disney animation juggernaut which had been dormant for decades, launching the release of smashing blockbusters such as Aladdin, The Lion King, and Finding Nemo. Taking home two Oscars for Best Music (Original Score and Original Song), the film launched a trend in Disney animation by blending musical numbers (with cartoon choreography), an aspect that would become a staple of film after film for the remainder of the decade. In short, Beauty And The Beast is a landmark production just as remarkable today as when it was first released…

Following the Disney tradition of transposing well-known fairy tales from the pages of a book to the sparkle of the big screen, Beauty And The Beast follows the life of Belle (Paige O’Hara), a beautiful bookworm maiden who captivates her town’s most eligible bachelor, Gaston (Richard White). Dissatisfied with life in her small French villa, Belle grows especially tired of the conceited and self-absorbed Gaston, who is unable to fathom the idea that Belle does not welcome his affections.

Meanwhile, The Beast lives in solitude in a long-ago abandoned castle, having had a spell cast upon him because of his inability to love. The spell turned the handsome prince into an ugly beast, and it turned all of his servants into dinnerware, candlesticks, and other inanimate objects. When Belle’s father, Maurice (Rex Everhart) makes a wrong turn, he inadvertently unites the lives of Belle and The Beast. After spending much time with Belle, the bitter and hardened Beast begins to soften. He and Belle fall in love, but Gaston and his fellow village marauders arrive at the castle walls and demand the return of Belle, threatening to kill The Beast…

The highlight of Beauty And The Beast is the musical number “Be Our Guest,” which features an entire dining hall filled with dancing teacups, plates, and eating utensils. The sequence forged the way for similar scenes in Aladdin (“A Whole New World”) and The Lion King (“Hakuna Matata”). Directors Gary Trousdale and Kirk Wise not only create a perfect transition from song to story, but they also manage to introduce innumerable humorous lines into musical sequences, especially with the early song bandied about by the rival for Belle’s hand, Gaston.

One of the top films of all-time (that’s from any genre, not just animation), Beauty And The Beast remains one of Disney’s most heralded creations. It tells the classic love story of the beast with a good heart and does so with vivid characters, a world-class musical score, and animated visual images that would make Walt Disney proud. Critically acclaimed and extremely successful at the box office, Beauty And The Beast is a true blockbuster in the traditional sense of the word. An awe-inspiring film that launched a new generation of animated Disney masterpieces, Beauty And The Beast is the quintessential must-see film…

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Another bullet in the cake? No, this time I eat the cake.
I finally saw “Hate Rock” the long awaited – actually 23 hours download – documentary about us. The presentation of the documentary seems much harder than what the video says in reality. Before watching this video I asked for impressions to people who saw it on the cable in the US and all their comments have been very negative. I was caught days ago while answering to some questions on the phone. I classified this documentary as antifascist propaganda, because this is what it seems reading the introduction on the websites (SMG productions and Discovery Times) and this is how people described the show to me. I have to say instead, after watching the work, that it is a “documentary” and not the ultimate show about the “absolute evil”.
If I ever missed anything or did not understand anything or if you just want to post a comment (including the expected “go to hell”), you can send a message to my forum (you don’t need to register) or to my email address: viking@ashtree.org

Contents
Length limitation (about 1 hour) and lack of time make also the best of the videos a marginal work. You must have asked yourselves: what to include and what to exclude? How to delineate the whole documentary? So, this is the section in which I will list (I will exceed!) your “made 30s, why not 31?”, all good advices for someone who’ll try to write a book – maybe – about hate rock in future, and I guess many of the things I will write down here were maybe consciously excluded, not just forgotten.

I have seen you pointed your attention to our more or less extreme faces, the “interface”, so how music is spread, how concerts are organized, what different images we use, the persecution we get and so on…it’s a very good video, but I think sometimes it is too “aesthetic”, it often proposes some songs with “impact” lyrics but does not get into their deep meaning, imaging people outside already know about our beliefs (only in Detroit instead you captured a good deal of explanations about some aspects of white power music or when you talked about the 14 words) and sometimes it escapes too much towards descriptions of political organizations forgetting it is a documentary about music and it confines the “white power” movement into the racist thing too much.
Question number one: what is a racist? And on a higher level: what is a nationalist?
It would have been interesting to know how a song is born, in what situation. From the documentary we seem to want ethnic cleaning mostly or only and above all… and you sent my song “Don’t go round with the Jews”, for instance (I’ll take myself as example, because I know myself), which is not a song about that topic, but about the problem of social integration. You chose from my interview my declaration “I say I’m not a nazi, I’m a fascist, I must defend my italian history”… I must comment, with or without that sentence my position doesn’t change: I’m a so-called “white power” songwriter anyway, so the statement – extracted from a long discussion – is redundant in this context.

You talked a lot about persecution against our music, absolutely daily life. I think you fully described what happens to our bands and organizers.
Shawn made very clear arguments about it and Erich of Resistance added that music sales help the activities, but what’s missing between these parts? It’s quite clear that people like the Big Jews or the Communists persecute us (Death to ZOG! People shouted.), but no one clearly expressed some opinions about the reasons. Hegemony for example? What does it mean? What could the interests be? (I’m aware it’s impossible to talk largely about it in such a video without falling out of the circle of the topic, but maybe a little idea could be given)
I think the most important reason is implicit, but at the same time fragmented, in your documentary: this kind of music is engine for activities!
Really there are harder crimes than “loving your own folk” in this world, but they are not persecuted. Is recruitment a possible reason for this persecution? You talked a lot about it, but you did not say it is – surely it is – a reason why we are persecuted, or better, there are opposite forces pulling people from other sides into their own gardens.
Very good…In total simplicity you expressed so well the moment “before the concert” in Verona (also in Britain showing true rehearsal). It’s direct, it’s clear… I’ll write more about it later in the editing section. Another good note about the concert in Germany (it was like you were there ready to be arrested together with the skins!).

I saw you noticed how internet increased the sales and the spreading of our music… this is real. Anyway, you didn’t investigate about how our music is technically and artistically produced. (You must have seen that artistic production is almost completely missing in this scene!) You showed a recording studio… but what about other solutions, live recordings and…distance recordings? You also talked too little about executive production: if you look carefully you’ll find deep gaps among labels! You touched the MTV topic, but which are the requisites for being on MTV? And do we want to be there or are we avoiding? (I personally was on the charts for most downloaded songs on mtv.it…eheh! I’m terrible!)
Or did you ask yourself: in terms of numbers does the white power movement produce and prefer more musically skilled bands or lyrically oriented bands? Which is the balance among these two aspects? (Erich just mentioned something about it) Is there any kind of attempt/effort for an industrial product? Prussian Blue have an organization behind, they “aggressed” the media, they have a tv crew supporting them, a network of advancers…you talked about them, but did not notice this! And how would a music industry based on political groups make difference from current mainstream industries if it takes off? What consequences does it take?
You talked about bands, some in political groups, others external, but which are the differences between a band in politics and a band which is not? Is music more transversal when outside the party?
What about the “fans”? How much do they spend? How do top seller products change according to age, country, income…of buyers?
What about peer-to-peer and how does it damage our scene? How do fans interact and cultivate their interest (forums, mp3-video-photo uploads, blogs and original websites…)?
The Turner Diaries: cutting that part there was place for all these aspects or for another band… I would have chosen Kolovrat or some other band from Eastern Europe.

I appreciated the fact – and now I’ll be killed for this – that you didn’t mention Ian Stuart so much, but your analysis of “hate rock” has been contemporary.
I liked a lot the line you followed, visiting the concerts and their backstages as self-talking environments.

What’s really missing? I’m not the only one who states this: I think you didn’t focus at all on the metal scene, such as Burzum (whose cds are sold at your local Virgin Megastore!), or neofolk (I’m considered neofolk, but I’m not one of the exemplary artists who play this genre). You didn’t talk about the pagan and christian subcurrents and their struggles (oh, so wrong to have religion and politics together… but this happens!).
And what else… you didn’t see there are some professionists who make this music and who are trying their way outside the movement. (I won’t nominate, because I’m not sure I am allowed)
I’m sorry to say this final thing, because your work really deserves many honours, but this documentary is still a “flouring” of white power music. I’m very critic about this, yes, like a spinster teacher, because the attempt was really promising and mature this time!
So, sincere congratulations!

My experience on the set and the comments of the old aunts…
I have to award the professionality of those who worked on this documentary, obviously in particular those 3 nice guys I mentioned on “Gloucester Road” (I don’t know the others…).
It was not my first time on tv and on press in general. Apart from right-wing press stuff, my relationship with the out-of-the-ghetto press has always been quite stormy…
do you remember, folks, for example, my pics with the bottle or when (on Italian satellite tv) a prestigious reporter aggressed me and cut my hair?
I have to say this time I was treated like a princess. I spoke, answered to questions, I was not aggressed, never interrupted and I have eaten and drunk.
I was shown on the screen like a normal girl with a guitar during a possible ordinary moment of my life – ok, Magnus and Katana are still laughing on the floor saying I walk like a duck. Also all the other people in the video are “men and women”.
I received some complaints via email about what I didn’t say in the video…
you have to know, sometimes I speak too much and I had promised my close mates of Ashtree things about defence topics and scientific reseach and paganism, because these are important themes in our struggle here at Ashtree Records.
You didn’t choose anything of this and ok, it’s your choice.
To those who say I’m shown for a too short time on this documentary I reply:
I have always tried to fill my music with hidden messages and now I appear on this video as a subliminal message, so I don’t see the problem!

Audience
Some people said your documentary is too British. Well, in my opinion since you are British and the documentary was first produced for Five and then distributed overseas, I think you might have some British audience.
I would like to write down some personal observations and I would like to propose some new hint for reflection and curiosity.
Before investing money on any television production, you must have an idea about the audience to which your product is addressed. It’s hard – believe – it’s hard to find a man who’s got no interest or simply never heard of “hate rock”, who sits down in front of the tv and watches a show like this. It’s not ignorance… it’s a situation like going back home, tired from work and just relax with something pleasant which depends on tastes. You know, television is still not “programmed” by audience (even digital terrestrial, which is sold like “power in the hands of the spectators!”) anyway the man, who’s God with the Remote Control, could choose a documentary about lions rather than sieg heil sieg heil…
You talked about “arising hate rock”. Do you think hate rock is arising alone or is it accompanied by the number of people who are interested in watching your documentary on tv? (Remember, we sell cds because there are fond listeners)
I’ll try to be clearer. I have the curiosity to know, whether you considered to produce this video because there are a lot of people who would like to know more about the topic.
Somebody shouted “another jewish thing!”… no, I think, instead, as Orwell’s Big Brother teaches, the unwanted truth is hidden! You DO show hate rock, so I see no jewish conspiracy.

MacIntyre
Donal, what kind of name is that? Anyway, I thought MacIntyre was much worst, according to what my nice cooperator from our Press Room Neil Rush said: “George Clooney on holiday”. Oh, God, I thought, What is it?
I’m watching from far away Italy. The times I was in Britain I never had the opportunity to see this man in action on tv, so this is my first time. I read his name and I searched on internet. His photos on his website don’t make good impression of him as professional figure… I’m not becoming a bigot…
I would like to focus again on the introduction written for this documentary. As I said above it seems a factious introduction, referring to words like “disturbing rise of the racist and anti-semitic music industry”. It’s true, I should not connect the man with the words reported above, but – this is an advice – pay attention, Mac, because you may fall into the well known tv trap of “kindness”, a disease attacking media… nobody’s safe!
The history of times has taught: good-looking = kind.
Anyway, Mac, I know you too little to go on discussing this.
I found the location where you spoke adeguate. It was very “hip hop” style and in a certain way “opposed” to white power and since you are an external viewer (I’m not saying you’re hip hop or black) the thing unconsciously matched somehow.
I’m sure, I bet 50 pounds, you didn’t think about this, but the location was chosen because it was more “streetlife” and more “bad macintyre”.

Video & Sound Editing
I cannot say much about filming, because I haven’t got the requisites to talk about it, but I can say something about the editing, since it is a bit my cup of tea.
There’s not much to say in reality. It’s a professional work and done by masters.
I’m a little (some one would rather say “short”) beginner – even though somebody has the courage to pay me for editing stuff – but I think I should examine.

I already talked about it, but I should add in this section that the times used to describe the different moments of the Verona event are as precise as a clock.
Sometimes too much “tourism” (indispensable, I don’t deny!) cutting time for significative information. A “tourism” like the one in Detroit with explanations of places and local fauna is the good solution.

Sometimes maybe too long zoom in, zoom out on still images and…I don’t remember,
I maybe took note about some too slow transition… but those are choices and strategic “fill holes” and pauses, change of rhythm…
The “futuristic” images + music leading to title “Hate Rock” after the introductive speech are like putting Madonna’s “American Life” as soundtrack for a documentary about nuns. I don’t know if this intro is stylistically in common with other documentaries from your series, but really here it is a punch in an eye.
I think the introductive speech was enough, since it was a sort of well done summary, it could lead to title “Hate Rock” perfectly.

The last 20 minutes of the show are much slower than the first part. Is it my impression?
Too long uncut videos, less movement… in my opinion, after about 40 minutes play, such a video should get a faster rhythm because it’s like the audience – I don’t want to say it falls asleep – is eating 300g of pasta and after all this food you may get enough of it.

Sometimes different speeches of a same person taken in different places, with too different noise backgrounds, are attached like a continuous speech but the contrast is too evident.
You should have overlapped or attached more carefully or tried to show the video (even half a second, don’t need much) from which the environmental noise is taken.
You may wonder “You, right you are telling me this…have you ever seen your own stuff?”
Yes, I have and I don’t want to remember.

First airing in November 2001, 24 quickly established itself as one of the best television series around and solidified itself as a cult classic icon. Utilizing a novel premise, each season of 24 comprises a single day in lives of its characters, with each of the 24 episodes representing a one-hour time segment of that day. Kiefer Sutherland stars in the imminent role of Jack Bauer, a government agent periodically faced with enormous challenges within a single day. Each season is reminiscent of a fast-paced Hollywood action thriller, but it’s only a busy day in the life of the heroic Bauer…

Season 1 unfolds in Los Angeles during the California presidential primary as CIA agent Jack Bauer and his colleagues uncover a murderous plot to assassinate front-running candidate David Palmer. With only 24 hours to uncover the identity of the determined killer, Jack must race against the clock if he has any hope of thwarting the plot. Meanwhile, Jack is distracted by his crumbling marriage and the disappearance of his rebellious teenage daughter. The clock is ticking… Can Jack save the man who may become president? And can he do so while keeping his family intact?

The 24 DVD features a number of breathtaking episodes including the season premiere in which the groundwork for the series and the season is laid. Jack plays chess with his daughter Kim (Elisha Cuthbert) before receiving a call from Nina Myers (Sarah Clarke), his colleague at the Los Angeles Counter Terrorism Unit, telling him to report in for an emergency meeting. Meanwhile, Jack and his wife Teri (Leslie Hope) realize that Kim snuck out of the house during the phone call… When Jack arrives at headquarters, he’s informed of a plot to murder Senator David Palmer, the first serious African-American presidential candidate… Other notable episodes from Season 1 include (#8) in which Nina and Tony discover the identity of the mole who is working for Gaines, and (#23) in which terrorists threaten to kill Kim unless Jack complies with their wishes…

Below is a list of episodes included on the 24 (Season 1) DVD:

Episode 1 (12:00 A.M. – 1:00 A.M.) Air Date: 11-06-2001
Episode 2 (1:00 A.M. – 2:00 A.M.) Air Date: 11-13-2001
Episode 3 (2:00 A.M. – 3:00 A.M.) Air Date: 11-20-2001
Episode 4 (3:00 A.M. – 4:00 A.M.) Air Date: 11-27-2001
Episode 5 (4:00 A.M. – 5:00 A.M.) Air Date: 12-11-2001
Episode 6 (5:00 A.M. – 6:00 A.M.) Air Date: 12-18-2001
Episode 7 (6:00 A.M. – 7:00 A.M.) Air Date: 01-08-2002
Episode 8 (7:00 A.M. – 8:00 A.M.) Air Date: 01-15-2002
Episode 9 (8:00 A.M. – 9:00 A.M.) Air Date: 01-22-2002
Episode 10 (9:00 A.M. – 10:00 A.M.) Air Date: 02-05-2002
Episode 11 (10:00 A.M. – 11:00 A.M.) Air Date: 02-12-2002
Episode 12 (11:00 A.M. – 12:00 P.M.) Air Date: 02-19-2002
Episode 13 (12:00 P.M. – 1:00 P.M.) Air Date: 02-26-2002
Episode 14 (1:00 P.M. – 2:00 P.M.) Air Date: 03-05-2002
Episode 15 (2:00 P.M. – 3:00 P.M.) Air Date: 03-12-2002
Episode 16 (3:00 P.M. – 4:00 P.M.) Air Date: 03-19-2002
Episode 17 (4:00 P.M. – 5:00 P.M.) Air Date: 03-26-2002
Episode 18 (5:00 P.M. – 6:00 P.M.) Air Date: 04-02-2002
Episode 19 (6:00 P.M. – 7:00 P.M.) Air Date: 04-09-2002
Episode 20 (7:00 P.M. – 8:00 P.M.) Air Date: 04-16-2002
Episode 21 (8:00 P.M. – 9:00 P.M.) Air Date: 04-23-2002
Episode 22 (9:00 P.M. – 10:00 P.M.) Air Date: 05-07-2002
Episode 23 (10:00 P.M. – 11:00 P.M.) Air Date: 05-14-2002
Episode 24 (11:00 P.M. – 12:00 A.M.) Air Date: 05-21-2002

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One of the funniest TV comedies ever produced, Cheers is essential viewing for anyone who’s ever frequented a hangout “where everyone knows your name”. The shows focuses on a friendly neighborhood Boston bar named Cheers (the Bull & Finch Pub in real life). Owned by former Boston Red Sox reliefer Sam Malone (Ted Danson), Cheers has three employees other than Sam: Woody Boyd (Woody Harrelson), Carla Tortelli (Rhea Pearlman), and Diane Chambers (Shelley Long). Celebrated psychiatrist Dr. Frasier Crane (Kelsey Grammar) and his wife Dr. Lilith Sternin Crane (Bebe Neuwirth) are regular customers of the bar (with Dr. Crane later playing the lead role in his own series, Frasier). Norm Peterson (George Wendt) and Cliff Clavin (John Ratzenberger), regular barflies, round out an excellent supporting cast of characters.

The Cheers (Season 5) DVD offers a number of hilarious episodes including the season premiere in which the audience discovers that Sam’s marriage proposal from the previous year’s season finale was directed at Diane. However, Diane feels that Sam is on the rebound from Janet, so she declines – requesting a more romantic setting for their engagement. When Sam proposes on a boat, Diane turns him down again then spends several episodes attempting to get Sam to propose once again. Meanwhile, Carla falls in love with Boston Bruins goalie Eddie LeBec (Jay Thomas) and John Cleese makes a guest appearance as a famous marriage counselor and friend of Frasier Crane. The season ends with Diane leaving Sam at the altar in order to finish a novel a publishing house is interested in…

Below is a list of episodes included on the Cheers (Season 5) DVD:

Episode 96 (The Proposal) Air Date: 09-25-1986
Episode 97 (The Cape Cad) Air Date: 10-02-1986
Episode 98 (Money Dearest) Air Date: 10-09-1986
Episode 99 (Abnormal Psychology) Air Date: 10-16-1986
Episode 100 (House of Horrors With Formal Dining and Used Brick) Air Date: 10-30-1986
Episode 101 (Tan N’ Wash) Air Date: 11-06-1986
Episode 102 (Young Dr. Weinstein) Air Date: 11-13-1986
Episode 103 (Knights of the Scimitar) Air Date: 11-27-1986
Episode 104 (Thanksgiving Orphans) Air Date: 11-27-1986
Episode 105 (Everyone Imitates Art) Air Date: 12-04-1986
Episode 106 (The Book of Samuel) Air Date: 12-11-1986
Episode 107 (Dance, Diane, Dance) Air Date: 12-18-1986
Episode 108 (Chambers vs. Malone) Air Date: 01-08-1987
Episode 109 (Diamond Sam) Air Date: 01-15-1987
Episode 110 (Spellbound) Air Date: 01-22-1987
Episode 111 (Never Love a Goalie: Part 1) Air Date: 01-29-1987
Episode 112 (Never Love a Goalie: Part 2) Air Date: 02-05-1987
Episode 113 (One Last Fling) Air Date: 02-12-1987
Episode 114 (Dog Bites Cliff) Air Date: 02-19-1987
Episode 115 (Dinner at Eight-ish) Air Date: 02-26-1987
Episode 116 (Simon Says) Air Date: 03-05-1987
Episode 117 (The Godfather, Part III) Air Date: 03-19-1987
Episode 118 (Norm’s First Hurrah) Air Date: 03-26-1987
Episode 119 (Cheers: the Motion Picture) Air Date: 04-03-1987
Episode 120 (A House is Not a Home) Air Date: 04-30-1987
Episode 121 (I Do and Adieu) Air Date: 05-07-1987

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Nominated for 16 Emmys and 4 Golden Globes, Coach delighted fans of all ages during its celebrated nine-season run. One of the most underrated sitcoms of its era, the series covers the exploits of fictional Minnesota State Screaming Eagles college football coach Hayden Fox (Craig T. Nelson), the quintessential male chauvinist pig. But unlike many of his politically-incorrect brethren, Hayden has a heart of gold. It’s this softer side that appeals to successful anchorwoman and girlfriend Christine Armstrong (Shelley Fabares). In the locker room, Hayden is joined by assistant coaches Luther Van Dam (Jerry Van Dyke) and Dauber Dybinski (Bill Fagerbakke), the perfect compliments to the coach’s oftentimes sketchy logic. Between his estranged daughter Kelly (Clare Carey), her less-than-manly boyfriend Stuart (Kris Kamm), nagging athletic director Howard Burleigh (Kenneth Kimmins), and ladies basketball coach Judy Watkins (Pam Stone), Hayden is always dispensing sarcasm, trading barbs, or being aggravated by someone.

Craig T. Nelson is brilliant in his portrayal of the opinionated and overbearing, yet multidimensional Hayden Fox. His onscreen rapport with co-star Shelley Fabares creates the believable illusion of a true romance. But Coach boasts a cast replete with star power. The series is given a charming comic angle by the underappreciated and long overdue breakout role of Jerry Van Dyke, brother to Dick Van Dyke, who plays the role of Luther Van Dam, the stuttering and kind-hearted bungling best friend of Hayden. Jerry had a few guest appearances in the decades before Coach that were absolute show stoppers (both The Dick Van Dyke Show and The Andy Griffith Show come to mind), but Coach put his talents to use full-time so all the world could see just how funny this man really is. Overall, Coach is a fun and oftentimes brilliant comedy, and the first few seasons are by far the best. So grab yourself a chair and some official Minnesota State Screaming Eagle merchandise and enjoy watching one of the best comedies of its time…!

The Coach (Season 1) DVD features a number of hilarious episodes including the season premiere “Kelly and the Professor” in which Hayden learns that his daughter Kelly, a student at Minnesota State, recently went out on a date with a professor. The revelation drives Hayden crazy, and he’ll go to any lengths to uncover the identity of the guilty faculty member… Other notable episodes from season one include “I’m in Love with a Boy Named Stuart” in which Hayden is introduced to Kelly’s new boyfriend, Stuart, his future arch-nemesis, and “I’m Sorry I Told You My Wife Was Dead” in which Hayden compromises his integrity in an effort to coerce a widow into handing over the massive donation her dead husband had promised the Minnesota State football program.

Below is a list of episodes included on the Coach (Season 1) DVD:

Episode 1 (Kelly and the Professor) Air Date: 02-28-1989
Episode 2 (Love Me Tender) Air Date: 03-01-1989
Episode 3 (Kelly, Meet Christine) Air Date: 03-08-1989
Episode 4 (I’m in Love with a Boy Named Stuart) Air Date: 03-15-1989
Episode 5 (The Loss Weekend) Air Date: 03-22-1989
Episode 6 (Gambling for Meat) Air Date: 04-05-1989
Episode 7 (19 Candles) Air Date: 04-12-1989
Episode 8 (Parents’ Weekend) Air Date: 04-19-1989
Episode 9 (I’m Sorry I Told You My Wife was Dead) Air Date: 04-26-1989
Episode 10 (Define Romance) Air Date: 05-03-1989
Episode 11 (Whose Team is It, Anyway?) Air Date: 05-17-1989
Episode 12 (Hoot, Hoot Hike) Air Date: 05-31-1989
Episode 13 (Dauber’s Blow-Out) Air Date: 06-07-1989

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